Evi described by ..

What do we find inside …

I confess that wearing it I found it very evocative and at the same time UNIQUE and very refined as an Eau de Parfum.
Then do vobis…  

MOM D’istinto It is really very intriguing and interesting as a fragrance. I am the one who thanks Evi Pattitoni for having created it. My duty: those who are worthy must be supported and promoted. Sic et simpliciter.

By the way, your night cream is working. A hug 

Vanna Sanciu

Evi, you have always been and are a Great.
Only those who have had, like me, the pleasure of knowing you, have been able to appreciate your commitment to society.
You must continue, because you must not stop!

Antonio Satta 

This time too your new creations seem really beautiful to me. As always! When artistic talent merges with the sensitivity of the heart and the attitude to beauty, the miracle happens.

GianPiero Scanu

As I write, dear Evi, I imagine you as one of the Janas of our Sardinia.
Legend has it that these industrious and wise fairies who practice different arts love red. In fact, I am enveloped in the perfume you have just created and I wear one of your MOM jewels around my neck. Even the cream that nourishes my skin, making it more beautiful every day, is your work.
You know how to design clothes and jewelry, you know how to sculpt, paint, sing and you know the secrets of herbs, flowers and essences.
You have the gift of listening and an extraordinary sensitivity; you are creative and operative, sweet and tenacious, wise and generous, wonderful daughter of Sardinia.

Marella Giovannelli

Central Gallura finds its privileged terrace towards the eastern sea in an enchanted territory rich in traditions and fine vineyards in the municipality of Telti.
A hilly part of Gallura that slopes towards Olbia with slopes covered with vineyards and thick cork oak forests.
Evi was born and raised in that portion of the territory before traveling the roads of new knowledge in the centers where the culture, especially musical, of the new generations of the final years of the last century was developing.
It must be recognized that she has a natural propensity for music. She has practiced it with skill and passion since her early youth.
From this she has been guided as on a musical scale, in the subsequent evolution of her art in a more complete realization, taking over the scene with her creations, from clothes to jewelry.
Everything follows an agreement like a set of linked notes, inspired by the great Mediterranean Mother. That Mother Goddess who found her maximum figurative expression in Sardinia.
Each note is in itself an individual element but also a part of a score that Evi fills with her works that are always in continuous evolution.
The note of a perfume, of a fabric she works, of a jewel created, of a song she sings, everything recalls a story and a land, her land, full of stories to tell and to relive with an ancient symbolism that is proposed to us in a modern key.
The cultural archetype, that is the idea that underlies Evi’s creations, is the re-proposal of the eternal models of things.
A primordial image that is part, or more precisely is contained, in the collective unconscious and that is brought to the surface by the research and meticulous reconstruction that she makes of it with her art in all the expressive forms she adopts.
A representative function that leads us towards a form of perception of reality that is proposed to us through expressive forms of various nature and in whose exposition the alchemist who etherizes them with his fragrances is never missing.
And it is from these fragrances that a line dedicated to cosmetics designed by her is now born.
Evi is tied to her land and it shows. We are made of matter that, as such, emanates energy that it receives from everything that surrounds us and that it transmits in a continuous cycle in a perennial process. Evi’s work develops in that environment rich in ancestral memories, and her fervent and unstoppable imagination is fueled by it, and this aspect is what stands out with great evidence when you find yourself in front of her creations.
What more can we add about her work? Perhaps an invitation to go and visit her in Telti, where in her home-workshop in a village context of great charm, almost under the bell tower of the granite church of Santa Vittoria, she welcomes her guests with grace and courtesy. He will open the doors of his dream world linked to the past and maybe even offer you a glass of excellent Vermentino produced a stone’s throw from his home.

Pierangelo Sanna

There is order and harmony in the artistic productions of Elvira Angela Pattitoni, known as Evi, in the Jewels as in the Dresses and in her voice as a musical interpreter. As an artist, her creations show themselves not only as works of artisan skill, but rather as the result of her personal creative research that flows into a path full of ideas between the history of her land with that of other places and times, contaminated with each other in a wise mix between past and innovation.

Her art moves from the thread that keeps the micro and macro cosmos tied together, the symbols of our local with the signs of the universal. Evi does not fall into the error of neo-ethnicism or folklorism. Avoiding these traps, she arrives at a balanced and accurate cosmopolitan synthesis, with the evanescent scent of Sardinia. The immature vestals proposed in her fashion shows seem to come from a distant world, another. Guardians of memory, they recall the Arborean queens of the 14th century, as I think of them. Modern and current like today, perhaps anticipating a possible future trend.

The jewels, then, are true “prendas”. Archetypal jewels, as she defines her creations. Works inscribed within circular shapes that replicate, referring to the most ancestral past of Sardinia, which is Mediterranean, biblical, Christian, oriental. Symbolic representation of the cosmos, woven from sheets and threads of gold and colored stones, like mosaics of sublime temples. Figures woven of colors and shapes in symmetrical harmony. Representation of the horizon and the sky. Symbol of the celestial sphere, dimension of the universe, like the halo of Christ in the icons of Cecilia Sanna, icons present in the short film “Misure Divine”, unpublished, Evi’s latest creation.
Like the Great Mother, representation of the primordial divinity, parent, and nourisher, holder of the secret of life and consoler of death.
It is worth letting yourself be seduced by Evi’s creations, in her events, in the showrooms.

Gavino Minutti

Since the time of my cultural commitment at the Porto Cervo museum, my friend Evi has been telling me with passion about the transcendent experience that enchanted her when she saw “sa perda punta” the Boeli Stele, which is estimated to date back to 3,500 BC. The magic of concentric circles and infinity inspired her to create MOM.
MOM is the result of the marriage between styles and eras very distant in time, such as the Sardinian-Byzantine, the Etruscan and the Hispanic-Aragonese, and carries within itself the material fusion of these cultures.
The concentric circles that distinguish it are composed of symbolic numbers and archaic figures whose final combination is the symbol of rebirth, the archetype of the Mother Goddess, a sacred figure that is a key element in Nuragic culture.

MOM contains the sacredness of prayer in its very essence:
● prayer as the love of a past that has shaped it and a bond with the present that it embodies day after day,
● prayer as an absolute need for love,
● prayer as a meeting of souls in the great arms of the Mother Goddess.
MOM is something more than a refined and elegant jewel, if anything a symbol that is not subject to fashion, it is “eternal”, it is a trace of a distant past, of which the Boeli Stele speaks to us, and a projection of a future without limits.

There is in MOM the sense of infinity and an erudite approach by Evi to the use of archaic language that every civilization discovers in its past, a lexicon intended as a founding brick of living.
Evi gives us a rare example of craftsmanship that, resting on ancient and historicized realities, becomes art.
Her particular and skilled way of seeing and interpreting reality with refined manual skills and knowledge of materials make Evi an artist who has relied on the wise ability of artisan experience to create an object that is a true work of art.

Rosy Fuga De Rosa

The attentive visitor to the land of Gallura will not have failed to appreciate the whole set of characteristics that have contributed to making it famous throughout the world. The granites, the holm oak forests, the transparent waters, compose a picture of a unique environment: both harsh and harmonious, where the vestiges of an ancient past are solemnly grafted with their respectful simplicity. The works of Evi well represent this peculiar genius loci.

The artistic urgency that has always accompanied the artist’s work is accompanied by an original style that, at the same time, wishes to fulfill the dictates of a cultural archetype that does not fail to propagate in its most intimate characteristics, to which, ultimately, every Gallura artist and, more generally, Sardinian, remains indebted.

This union is accomplished and is demonstrated by the search for the materials of choice and the care in the creation of the works, whose undisputed genuineness, without compromises, is always combined with a formal rigor respectful of tradition.

Giorgio Manunza

Evi Pattitoni, prophet in her own country. An all-round artist: from TV experiences, to singing, to the creation of jewelry and fashion